Tatom Khulu, 2004
Silver Gelatin analogue hand print 1/1 AVALIABLE price on request
Silver Gelatin analogue hand print Artist Proof SOLD
Giclee fine art 23 x 35 inches (edition 5) $6 000
Giclee fine art 23 x 16 (edition 15) $2 800
Amandla, 2004
Silver Gelatin analogue hand print 1/1 AVALIABLE price on request
Silver Gelatin analogue hand print Artist Proof AVALIABLE price on request
Giclee fine art 23 x 35 inches (edition 5) $8 000
Giclee fine art 23 x 16 (edition 15) $3 800
uTata Madiba, 2004
Chromogenic print 1/1 SOLD
Giclee fine art 23 x 35 inches (edition 5) $6 000
Giclee fine art 23 x 16 (edition 15) $2 800
Tatom Khulu, 2004
Silver Gelatin analogue hand print 1/1 AVALIABLE price on request
Silver Gelatin analogue hand print Artist Proof SOLD
Giclee fine art 23 x 35 inches (edition 5) $6 000
Giclee fine art 23 x 16 (edition 15) $2 800
Amandla, 2004
Silver Gelatin analogue hand print 1/1 AVALIABLE price on request
Silver Gelatin analogue hand print Artist Proof AVALIABLE price on request
Giclee fine art 23 x 35 inches (edition 5) $8 000
Giclee fine art 23 x 16 (edition 15) $3 800
uTata Madiba, 2004
Chromogenic print 1/1 SOLD
Giclee fine art 23 x 35 inches (edition 5) $6 000
Giclee fine art 23 x 16 (edition 15) $2 800
Working primarily in the darkroom Willman produces one-of-a-kind silver gelatin prints. Each work is hand-crafted and unrepeatable, resisting the conventions of editioned analogue photography and positioning the photograph as a singular object.
Alongside his analogue practice, Willman’s digital works extend similar concerns with perception, scale, and temporality, while remaining grounded in a disciplined visual language.
His work is exhibited internationally and is held in private and institutional collections.
Willman lives and works in South Africa.
Working primarily in the darkroom Willman produces one-of-a-kind silver gelatin prints. Each work is hand-crafted and unrepeatable, resisting the conventions of editioned analogue photography and positioning the photograph as a singular object.
Alongside his analogue practice, Willman’s digital works extend similar concerns with perception, scale, and temporality, while remaining grounded in a disciplined visual language.
His work is exhibited internationally and is held in private and institutional collections.
Willman lives and works in South Africa.